€ť be said, amused. "Nothing over there I can see but cleaned bone, and the vultures dropping for what’s left." "Did you bear that scream?" she asked. 'No." "About a minute ago?" "Sorry, no." The lions were coming. And again George Hadley was filled with admiration for the mechanical genius that had conceived this room. A miracle of efficiency selling for an absurdly low price. Every home should have one. Oh, occasionally they frightened you with their clinical accuracy, they startled you, gave you a twinge, but most of the time what fun for everyone, not only your own son and daughter, but for yourself when you felt like a quick jaunt to a foreign land, a quick change of scenery. Well, here it was! And here were the lions now, fifteen feet away, so real, so feverishly and startlingly real that you could feel the prickling fur on your hand, and your mouth was stuffed with the dusty upholstery smell of their heated pelts, and the yellow of them was in your eyes like the yellow of an exquisite French tapestry, the yellows of lions and summer grass, and the sound of the matted lion lungs exhaling on the silent noontide, and the smell of meat from the panting, dripping mouths. The lions stood looking at George and Lydia Hadley with terrible green-yellow eyes. "Watch out!" screamed Lydia. The lions came running at them. Lydia bolted and ran. Instinctively, George sprang after her. Outside, in the hall, with the door slammed he was laughing and she was crying, and they both stood appalled at the other's reaction. "George!" "Lydia! Oh, my dear poor sweet Lydia!" "They almost got us!" "Walls, Lydia, remember; crystal walls, that's all they are. Oh, they look real, I must admit - Africa in your parlor - but it's all dimensional, super reactionary, supersensitive color film and mental tape film behind glass screens. It’s all odor phonics and sonics, Lydia. Here’s my handkerchief." "I'm afraid." She came to him and put her body against him and cried steadily. "Did you see? Did you feel? It's too real." "Now, Lydia..." "You've got to tell Wendy and Peter not to read any more on Africa." "Of course - of course." He patted her. "Promise?" "Sure." "And lock the nursery for a few days until I get my nerves settled." "You know how difficult Peter is about that. When I punished him a month ago by locking the nursery for even a few hours - the tantrum he threw! And Wendy too. They live for the nursery." "It's got to be locked, that's all there is to it." "All right." Reluctantly he locked the huge door. "You've been working too hard. You need a rest." "I don't know - I don't know," she said, blowing her nose, sitting down in a chair that immediately began to rock and comfort her. "Maybe I don't have enough to do. Maybe I have time to think too much. Why don’t we shut the whole house off for a few days and take a vacation?" "You mean you want to fry my eggs for me?" "Yes." She nodded. "And darn my socks?" "Yes." A frantic, watery-eyed nodding. "And sweep the house?" "Yes, yes - oh, yes!'' "But I thought that's why we bought this house, so we wouldn't have to do anything?" "That's just it. I feel like I don't belong here. The house is wife and mother now, and nursemaid. Can I compete with an African veldt? Can I give a bath and scrub the children as efficiently or quickly as the automatic scrub bath can? I cannot. And it isn't just me. It's you. You’ve been awfully nervous lately." "I suppose I have been smoking too much." "You look as if you didn't know what to do with yourself in this house, either. You smoke a little more every morning and drink a little more every afternoon and need a little more sedative every night. You're beginning to feel unnecessary too." "Am I?" He paused and tried to feel into himself to see what was really there. "Oh, George!" She looked beyond him, at the nursery door. "Those lions can't get out of there, can they?" He looked at the door and saw it tremble as if something had jumped against it from the other side. "Of course not," he said. … As for the nursery, thought George Hadley, it won’t hurt for the children to be locked out of it awhile. Too much of anything isn’t good for anyone. And it was clearly indicated that the children had been spending a little too much time on Africa. That sun. He could feel it on his neck, still, like a hot paw. And the lions. And the smell of blood. Remarkable how the nursery caught the telepathic emanations of the children’s minds and created life to fill they’re every desire. The children thought lions, and there were lions. The children thought zebras, and there were zebras. Sun - sun. Giraffes - giraffes. Death and death. That last. He chewed tastelessly on the meat that the table had cut for him. Death thoughts. They were awfully young, Wendy and Peter, for death thoughts. Or, no, you were never too young, really. Long before you knew what death was you were wishing it on someone else. When you were two years Old you were shooting people with cap pistols. But this - the long, hot African veldt-the awful death in the jaws of a lion. And repeated again and again. "Where are you going?" He didn’t answer Lydia. Preoccupied, be let the lights glow softly on ahead of him, extinguish behind him as he padded to the nursery door. He listened against it. Far away, a lion roared. He unlocked the door and opened it. Just before he stepped inside, he heard a faraway scream. And then another roar from the lions, which subsided quickly. He stepped into Africa. How many times in the last year had he opened this door and found Wonderland, Alice, the Mock Turtle, or Aladdin and his Magical Lamp, or Jack Pumpkin head of Oz, or Dr. Doolittle, or the cow jumping over a very real-appearing moon-all the delightful contraptions of a make-believe world. How often had he seen Pegasus flying in the sky ceiling, or seen fountains of red fireworks, or heard angel voices singing. But now, is yellow hot Africa, this bake oven with murder in the heat. Perhaps Lydia was right. Perhaps they needed a little vacation from the fantasy, which was Growing a bit too real for ten-year-old children. It was all right to exercise one's mind with gymnastic fantasies, but when the lively child mind settled on one pattern...? It seemed that, at a distance, for the past month, he had heard lions roaring, and smelled their strong odor seeping as far away as his study door. But, being busy, he had paid it no attention. George Hadley stood on the African grassland alone. The lions looked up from there feeding, watching him. The only flaw to the illusion was the open door through which he could see his wife, far down the dark hall, like a framed picture, eating her dinner abstractedly. "Go away," he said to the lions. They did not go. He knew the principle of the room exactly. You sent out your thoughts. Whatever you thought would appear. "Let’s have Aladdin and his lamp," he snapped. The veldt land remained; the lions remained. "Come on, room! I demand Aladdin!" he said. Nothing happened. The lions mumbled in their baked pelts. "Aladdin!" He went back to dinner. "The fool room's out of order," he said. "It won't respond." "Or--" "Or what?" "Or it can’t respond," said Lydia, "because the children have thought about Africa and lions and killing so many days that the room's in a rut." "Could be." "Or Peter's set it to remain that way." "Set it?" "He may have got into the machinery and fixed something." "Peter doesn't know machinery." "He's a wise one for ten. That I.Q. of his -" "Nevertheless -" "Hello, Mom. Hello, Dad." The Hadley’s turned. Wendy and Peter were coming in the front door, cheeks like peppermint candy, eyes like bright blue agate marbles, and a smell of ozone on their jumpers from their trip in the helicopter. "You're just in time for supper," said both parents. "We're full of strawberry ice cream and hot dogs," said the children, Holding hands. "But we'll sit and watch." "Yes, come tell us about the nursery," said George Hadley. The brother and sister blinked at him and then at each other. "Nursery?" "All about Africa and everything,” said the father with false joviality. "I don't understand," said Peter. "Your mother and I were just traveling through Africa with rod and reel; Tom Swift and his Electric Lion," said George Hadley. "There's no Africa in the nursery," said Peter simply. "Oh, come now, Peter. We know better." "I don't remember any Africa," said Peter to Wendy. "Do you?" "No." "Run see and come tell." She obeyed "Wendy, come back here!" Said George Hadley, but she was gone. The house lights followed her like a flock of fireflies. Too late, he realized he had forgotten to lock the nursery door after his last inspection. "Wendell look and come tell us," said Peter. "She doesn't have to tell me. I've seen it." "I'm sure you're mistaken, Father." "I'm not, Peter. Come along now." But Wendy was back. "It's not Africa," she said breathlessly. "We’ll see about this," said George Hadley, and they all walked down the hall together and opened the nursery door. There was a green, lovely forest, a lovely river, a purple mountain, high voices singing, and Rima, lovely and mysterious, lurking in the trees with colorful flights of butterflies, like animated bouquets, lingering in her long hair. The African veldtland was gone. The lions were gone. Only Rima was here now, singing a song so beautiful that it brought tears to your eyes. George Hadley looked in at the changed scene. "Go to bed," he said to the children. They opened their mouths. "You heard me," he said. They went off to the air closet, where a wind sucked them like brown leaves up the flue to their slumber rooms. George Hadley walked through the singing glade and picked up something that lay in the comer near where the lions had been. He walked slowly back to his wife. "What is that?" she asked. "An old wallet of mine," he said. He showed it to her. The smell of hot grass was on it and the smell of a lion. There were drops of saliva on it, it bad been chewed, and there were blood smears on both sides. He closed the nursery door and locked it, tight. In the middle of the night he was still awake and he knew his wife was awake. "Do you think Wendy changed it?" she said at last, in the dark room. "Of course." "Made it from a veldt into a forest and put Rima there instead of lions?" "Yes." "Why?" "I don't know. But it's staying locked until I find out." "How did your wallet get there?" "I don’t know anything,” he said, "except that I’m beginning to be sorry we bought that room for the children. If children are neurotic at all, a room likes that -" "It’s supposed to help them work o